"Ticket to Mars", the title track on my album of the same name, has just been released. The songs on the album are about space travel, astronauts, rockets, encounters with aliens, exploring space to find new planets, and - conversely - the conundrum of being stuck on Earth. https://soundcloud.com/codaes-music/ticket-to-mars?utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing Ticket to Mars (Radio Edit) Lead … Continue reading Just released: “Ticket to Mars”
Timbuktu was added to the album Thermós, after the album was complete. After I thought it was done, I asked myself, what would be the result if I combined something like simple Gregorian chanting in Dorian or Lydian scale, with modern beats? I had pictured in my mind, the driest, hottest, dustiest, sandiest, most monochrome … Continue reading A bit of an experiment – “Timbuktu”
Enter the Lion (track 6 on my album Time Shift) started as a snatch of notes I played on the piano. When it was done, I wondered what to call it. Only when the name popped into my head, I realized that what I had been thinking about all along, was a pride of lions … Continue reading When you add the meaning afterwards – “Enter the Lion”
Track 3 on "Time Shift" The lyrics of this track are self-explanatory, even for someone who has never been on a mine site. When I wrote it, the lyrics were the easy parts. Expressing the ideas in music was a different challenge altogether. This is how I did it: I expressed the feeling of going … Continue reading “The Trembling Ground” – The sound of seismicity
I've just published the first track on my new album, "Time Shift". The album is the result of a little walk down memory lane in 2022, particularly just before Christmas, remembering the standout things in my former life in South Africa: the local music scene, the wildlife, the wide-open spaces, the sounds that you only … Continue reading First track on “Time Shift” album: “Groove was in the House”
Track 8 of 9 on the album "Painting Music" took major effort. It was the most difficult track on this album and the one of which I'm proudest. I started it on Sept 9, 2022 and finished it on Oct. 6, 2022 - 4 weeks of working on it every day, all day. Doing this … Continue reading The most difficult and the best result – “Exquisite Machine”
This track, just released on SoundCloud, is Track 7 of 9 on the album Painting Music. It's a new mix of one of the songs on the album. The song started with two types of sound recordings: the first was made on the “Sky” canvas of Google's experimental “Paint with Music” platform, which is in … Continue reading Becoming more machine-like: Hirajōshi and Air – Chris Perry Style
Busted Piano is the result of playing around on the Plink platform, and in the video you can see the visualization used on the platform - a moving line, waveform of little blobs. I chose a particularly whiny, mechanical sounding synth for an instrument on Plink. To my ears, it sounded like a badly maintained … Continue reading Track 6 on “Painting Music” – “Busted Piano”
The melody of Swagger & Swing started as notes on the fourth option on the “Paint with Music” platform, the “Street” canvas, which looks like a granite wall or pavement (shown below, left). This canvas has a more atonal sound than the others, and includes effects like scratching and hissing, which give a more grunge-like … Continue reading “Swagger & Swing” – Track 4 on “Painting Music
Track 3 on "Painting Music" This track has nothing to do with the 1717 Water Music Suites by George Frideric Handel, though when I chose the name I might have dredged up a memory of it, since it is one of my favourite classical music compositions. I could not resist having some fun with the … Continue reading “Water Music” – Waves, whale sounds and melancholy wind
Cōdae · Hirajoshi and Sky All the songs in this collection contain small clips or samples of machine-generated musical notes. I used online platforms that produce both sounds and visuals from a user’s input, the main one being “Paint with Music” (which is why the album has this name) which uses Google Magenta’s DDSP (Differentiable … Continue reading Track 1 on “Painting Music”: “Hirajōshi and Sky”
